I went over to mum's last night and we were looking at instruction videos on putting up a polytunnel. I am researching them at the moment - tempted by the best, but aware longevity might not be the most important box to tick. There's a difference of about £200 between the best and the first I looked at. It reminded me of a poem I had published years ago in The Frogmore Papers, based in Lewes, that I never included in a collection but which now feels like a forerunner to a more recent, and yet to be published poem about Mum's new garden. This older one is about the garden she left behind in Tunbridge Wells, with its bouncy lawn and views over a valley, where we fell asleep in summer and ate under an umbrella. Where Mum had a writing shed with wallpaper.
My
mother’s garden
She’s
trying to decide where to put an eyeless male head,
so
it won’t scare her. Maybe in the wygelia
or
among the delphiniums? She grows colour, patches of light
and
shade, hiding places. She has benches to follow the sun.
She
offers sanctuary to the wind from Greenland, carrying
strands
of silk, rustling leaves and snow, stocking wilder beds
with
hellebores, succulents. Her garden overlooks a valley
decorated
with country houses. It’s calmed by poppies,
white
clematis flowers big as side plates. The fence is heavy
with
roses and honeysuckle. Sparrows wash in their own stone bath,
squirrels
steal peanuts from the feeder. Listen to the steam train
hoot.
A gardener needs to sing to her seedlings.
She’s
accompanied by the robin, millipedes and flint spearheads.
She
likes the rain on her neck, percussion of a rake on stones.
My
mother’s garden takes time. It flows from her fingers
and she digs time into the borders, sows it in her smallest pots.
and she digs time into the borders, sows it in her smallest pots.
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